Richland; dawn 21st March 2018

This is the first of a series of soundcards sent from a visit to Washington State. 

 
 
Guitar 24th March 2018

soundcard 2 

 
 
25th March 2018 / 1

from the top of candy mountain

 
 
25th March 2018 / 2

At the bottom of Candy Mountain

 
 
27th March 2018 / 1

Dust storm, Richland WA

 
 
27th March 2018 / 2

Cooking

 
 
5th April 2018 / 1

Seattle Museum of Art

 
 
5th April 2018 / 2

last soundcard from the trip - happy hour in Seattle

 
 
sill / sound 1, August 2016

This is one of a number of short sketches I  made with material recorded over a weekend undertaking a micro - residancy at Grasslands Birmingham in April 2016. 

 
 
Still 1min by ana rutter

This is a 1 min pieces made in Norfolk in December 2016. It was a very useful pieces to have accidentally made, it is helping me think about sparseness, single position of 'viewer' and many other considerations of the detail of making.

 

 
 
Richland; dawn 21st March 2018
Guitar 24th March 2018
25th March 2018 / 1
25th March 2018 / 2
27th March 2018 / 1
27th March 2018 / 2
5th April 2018 / 1
5th April 2018 / 2
sill / sound 1, August 2016
Still 1min by ana rutter
Richland; dawn 21st March 2018

This is the first of a series of soundcards sent from a visit to Washington State. 

 
 
Guitar 24th March 2018

soundcard 2 

 
 
25th March 2018 / 1

from the top of candy mountain

 
 
25th March 2018 / 2

At the bottom of Candy Mountain

 
 
27th March 2018 / 1

Dust storm, Richland WA

 
 
27th March 2018 / 2

Cooking

 
 
5th April 2018 / 1

Seattle Museum of Art

 
 
5th April 2018 / 2

last soundcard from the trip - happy hour in Seattle

 
 
sill / sound 1, August 2016

This is one of a number of short sketches I  made with material recorded over a weekend undertaking a micro - residancy at Grasslands Birmingham in April 2016. 

 
 
Still 1min by ana rutter

This is a 1 min pieces made in Norfolk in December 2016. It was a very useful pieces to have accidentally made, it is helping me think about sparseness, single position of 'viewer' and many other considerations of the detail of making.

 

 
 
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